So, to make things easier, I’ve invented the Sippican Cottage Musical Acid Test:
If you’re from Liverpool, and your composition is played Santuario-di-Madonna-di-San-Luca-skiffle style by five Bolognese men a half a century after you wrote it, you’re on to something with your approach to songwriting. That’s as far as I’ll go.
Akin to Bernard Levin’s idea of the historical filter.
We don’t know what it will be that survives our own cultural or artistic preoccupations and interests. But that historical filter does in fact work. We listen to more Mozart than Scalieri today and there’s nothing wrong with Scalieri’s stuff either, just Amadeus was rather better at it (or as it has been put, God simply poured his love for his creation through him).
Although we can take the odd bet on this. It’ll not be Madonna……