That lack of female directors. Our man from Swindon keeps telling us that the original break these days comes not from being noted but forcing people to take note:
So he did, though, of course, that was much easier said than done. The biggest hurdle standing between most first-timers and the realization of their vision has always been money, and that was no different in Youmans’ case. He cobbled together a budget by taking a little here and a little there. “I put all of my savings into the film, which was around twenty-five hundred bucks,” he recalls. “I cashed out a lot of savings bonds that I’d gotten from family members. I was working at a beignet stand in City Park that’s no longer in operation now; it turned into another Café du Monde. It was quick, and a lot of cash for a high school job. I was stacking that up in the months leading to principal photography, and then me and my producer Mose Mayer started an Indiegogo. Started pooling from my family, some of Mose’s family donated a bit too, and that was enough to get us through production. We never had extra funds. There was a lot of stuff we needed to get for free.”
That first film can indeed be made on a shoestring.