Dave Clark, 80, was born in Tottenham, north London. After a career as a stuntman and film extra, he became the founder, drummer, songwriter and manager of the Sixties beat group the Dave Clark Five (DC5).
Their 1964 number one hit, Glad All Over, knocked The Beatles off the top spot and was the first of nine consecutive top 40 UK hits for the five-piece band.
After the group split up in 1970, Clark wrote the stage musical Time. He also acquired the rights to the Sixties music show Ready Steady Go! and retained all the rights to the DC5 catalogue.
One of those bits of badly remembered half-gossip.
Dave recognised the value of those songwriting royalties long before any of his bandmates did. So, all were assigned to him at his insistence. To say that he wrote all the hits might not be quite as true as saying that he’s recorded – and paid – as having written all those hits.
There’s more of a connection that we might think.
Yes, sure, the vocals. But then listen properly to that bass player. Rolling along, nice and simple line, up to about 2.45. Then a crescendo of rising excitement to that Rocco moment around 4.12 then a fade to a tristesse almost.
Of course the explanation is that the arranger knew all about the other stuff and what gets people excited.
Genesis are reforming:
The British prog rock band Genesis have announce that they will reunite for a series of UK stadium shows in November and December. “There’s a Genesis sound which is still there,” said guitarist Mike Rutherford. “I missed it, it’s nice to play it again.
This is an observation old enough to have been a Mad cartoon back in the 1970s. The progression of a group’s name goes:
Phil Collins with Genesis*
Genesis with Phil Collins*
All that’s needed now is for Peter Gabriel to come back and it’s the full set.
*These lines can be swapped as desired.
Sir Elton John has received the highest acknowledgement in a new year honours list in which hundreds of ordinary people were recognised alongside household names from sport, the arts, entertainment and politics.
The singer and songwriter was awarded the Companion of Honour
The highest is OM, not CH.
But yes, pretty good going Reg, pretty good going.
Originally a duo, No Bra soon became known for Oberbeck’s habit of intoning sexually charged lyrics in a Nico-esque accent over industrial sounds while standing topless and wearing a moustache.
Just to clarify, Oberbeck is female.
At which point it all sounds most interesting, doesn’t it? A musical experience not to be missed.
Sam Smith has asked fans to refer to them using the pronouns they/them – six months after coming out as non-binary.
In a post to their 13.4 million followers on Instagram, the chart-topping singer-songwriter said they had come to the decision after spending “a lifetime of being at war” with their gender.
Smith, 27, revealed earlier this year that they had questioned their gender and had at one time considered a sex change.
A person who identifies as non-binary does not define themselves exclusively as masculine or feminine and generally prefers they/them pronouns, rather than he/she.
Smith said: “Today is a good day so here goes. I’ve decided I am changing my pronouns to THEY/THEM after a lifetime of being at war with my gender I’ve decided to embrace myself for who I am, inside and out.
And to the extent that you get to define what we call you fine. Do recall that if we call you something else we’re just being impolite, not oppressive.
One question from an old codger though, before being a they Sam Smith was a he or a she?
With John Prine and Willie Nelson among his fans and awards to his name, the Kentucky songwriter is a rising star of country – but he’s dismayed by its fixation on beer and pickup trucks
Beer and pick up trucks are rather important to a lot of people…..
True, it does rather limit the storylines, the truck drove away with my beer, the beer made me drive my truck and so on but they really are important to people.
With Kossoff, Kirke, Tetsu and Rabbit
Kossoff, Kirke, Tetsu and Rabbit (1972)
with the Faces
Coast to Coast: Overture and Beginners (1974)
You Can Make Me Dance, Sing or Anything (1974)
OK, so, been there, done it.
He retired from the music industry in the mid 1990s and moved to the countryside with his family to live a quiet life, refusing to speak to anyone from the press. He considers it juvenile and vain for people his age to still be performing rock and roll, and refused invitations to take part in a Faces reunion.
Billed as “Britain’s Shirley Temple” and “the Singing Sweetheart”, Clark went on to record hundreds of songs for the forces and toured the UK by train. She recalls sleeping in the luggage racks alongside Julie Andrews, three years her senior. “Now, she could really sing,” says Clark. “We’d get off the train, do our little things, get back on and go home. It was fun – and not a lot of kids were having fun.”
If you’ve got someone like that saying you can really sing then I guess you really can sing.
What would have happened if John Lennon ended up playing bass?
You can hear the answer by listening to ‘The Long and Winding Road’, on which he actually did play bass.
I will simply quote Ian Macdonald’s assessment, from p. 339 of Revolution in the Head:
Recurring wrong notes at 0:28, 2:10 and 3:07; mis-strikes ar 2:39 and 2:52; drop-outs at 2:59 and 3:14; a fumble at 0:19; a vague glissando at 1:03; a missed final push at 3:26.
I’ve just listened to the song, and these are only some of the mistakes Lennon made. As Macdonald points out, at 1:59, as McCartney sings ‘You left me standing here…’, you can hear him grinning at how badly Lennon’s playing.
A man of conservative tastes and values, Reed regarded Jones’s libidinous lifestyle with wariness, but rated him the best male singer British pop music had ever produced. “He loved good lyrics and he liked melodies with a little blues touch, and once you’ve got that, you’re home.”
Yep, sure, you can disagree if you want to. And when you’ve managed to do this…..:
It may have been simple, even corny, but the formula was mightily effective. Reed composed more than 2,000 songs and produced or arranged many more. He wrote hits for Shirley Bassey, Lulu, Petula Clark, Des O’Connor and Sandie Shaw, and in America his songs were covered by Elvis Presley, Frank Sinatra, Dean Martin, Stevie Wonder, Diana Ross, Marvin Gaye and Perry Como.
….then perhaps we’ll consider your opinion on the subject.
And if we’re honest about it if I ever manage to do anything quite as sublime as Delilah – no, I don’t mean write a song, but just achieve any one thing, anything, that matches that excellence – then I’ll still die screaming and insisting it’s not my time yet but content that I had, through chance perhaps, already touched that Hand…..
French rap superstar Niska: ‘American rappers don’t respect our art’
It’s because you’re doing it in French. No, not a comment upon American ignorance of everything non-American. But, dammit, you’re doing it in sodding French!
Avicii’s family announce posthumous album by Swedish DJ
Bergling’s family have also announced the creation of the Tim Bergling Foundation, which will benefit organisations supporting groups involved with mental health and suicide prevention. The musician’s net profits from the album will be donated to the charity.
“Net ” is such an interesting word, isn’t it? And as is common in American such foundations, family members do need salaries to run the family foundation.
A Grammy-nominated rapper who built his reputation on a tough upbringing in Atlanta, Georgia surrounded by drugs and guns is actually British, it has been revealed, as other rap artists share their shock that he may be deported.
US immigration officers detained 21 Savage, whose real name is Sheyaa Bin Abraham-Joseph, on Sunday for allegedly overstaying his visa.
Designing the background to fit current fashion is nothing new in popular music
I ain’t nothin’ but your poontang,
Cryin’ all the time
I ain’t nothin’ but your poontang,
Dryin’ all the time
You ain’t never bust a nut, you ain’t no friend of mine.
Thankfully it was Leiber and Stoller who had that job first time around…..