Just Stop Oil protesters halt opera performance with confetti bomb
Three protesters purchased tickets to Glyndebourne, East Sussex, and began protest an hour into the performance
Can’t allow the fat lady to sing.
British ‘von Trapps’ release album as 15-cousin group
Bevan Family Consort are releasing ‘old family favourites’, half a century after their parents did the same thing
That original was actually a couple of years before I turned up in the area. But one of the lads was in our year (with Peter Briffa, if he’s reading, also Peter Morgan, who I know isn’t).
The original choir was formed around 50 years ago by Roger Bevan – grandfather of the current group – who lived with his family in a 15th century farmhouse near Wells in Somerset.
Well, yeeeees. He was head of music at Downside. So, for his sins, he had to try to teach me Music O Level. Which didn’t work out well. I can still remember him playing a third then a fifth for me on a piano. Then being horrified when I couldn’t immediately grasp the difference. “But, but, it’s obvious!”
Francis Bevan, one of the members, writes in the foreword to the album: “Music was so pivotal to the older generation’s lives that none of us cousins needed to be pushed to pursue it.
“Some have taken it more seriously and turned professional, but all of us share an innate ability and a love of making music together.”
Innate ability, that’s the thing. I was a techncailly proficient trumpet player. Got through Grade VI no problem, had a good timbre, could make it swing. But I never did grasp the basics of music. Couldn’t actually hear it, wasn’t, in fact, a musician. Possibly a technician who knew how to make a noise, but not a musician.
And that’s the thing about those with innate ability. They find it very difficult to understand those without it. But, but, it’s obvious.
Lovely man but teaching the theory of music to me wasn’t going to be his forte.
BTW, anyone else feel that cold breath on the back of the neck? Events of childhood now being half a century ago, things to be jubileed?
Youtube served me this:
OK, as always, Ms. Simone is excellent. But that tune, surely no, that’s not original. Some old gospel, right? Summat.
Ah, this:
From 45 seconds in. Ah, yes us oldies all do recognise that, don’t we?
Still think that melody and chord structure are likely to be older and more traditional but…..
I think I recall Barry at one point saying he’d had so many people asking that here was the man to play it. Which he did.
He said that AI can dilute the market, “making original creations harder to find and violating artists’ legal rights to compensation from their work”.
If someone’s listening to an AI thingie then they’re not listening to your work and you deserve no compensation. See how this works? Just the same as if I listen to Chris Rea (say) then Beyonce doesn’t get a cut.
(Actually, there could be some fun with this sort of thing. Train the AI on Beggar’s Banquet, say, then get it to play Sgt Pepper’s in that style. It’d rack up the views as well)
Not a bad tribute band – Georgia Satellites and Dan Baird. But who knew Finns could do Southern Fried?
My dad was a general in the army and Tina’s dad was an admiral in the navy.
Very avant garde, even punk, eh? Not that they’re a bad rhythm section but it’s just not the formative background you quite expect. Bit like finding out Shane McGowan’s the son of an accountant/accounting clerk (he is, mate used to know the parents).
The Cure also criticised Ticketmaster over its “dynamic pricing” policy, introduced in the UK in 2022 and used by artists such as Harry Styles and Coldplay, which inflates the price of remaining tickets for in-demand concerts. The Cure opted out of dynamic pricing, calling it “a greedy scam – and all artists have the choice not to participate … if no artists participated, it would cease to exist”.
So what actually should be done with something in short supply at a particular price?
It’s possible to increase supply. Play an extra gig. It’s possible to reduce demand – slag off a trannie and watch the audience shrink perhaps. Or, prices can change so as to match supply and demand. Or, obviously, it’s possible to have some sort of lottery – and electronic queues are a lottery – whereby some gain tickets at the official price and some do not. Which leads to the secondary market in tickets where tickets turn out to cost whatever the supply/demand balance says tickets are worth.
Those are the options. So, whatever one thinks of Ticketmaster, which option you gonna go for?
No, sorry, that you’re a musician, that these are fans, does not elevate you or them above these basic worries of economics.
The slide guitar at the end of the song always gives me chills. Duane Allman is one of the greatest players ever
A comment about Ramblin’ Man. Which, err, famously was after Duane’s death, showed that Dickie Betts could play slide too.
Ho hum.
Never heard of the bloke before so maybe I’m being unkind. This could just be album filler.
It’s fine. Well played. Good musicians. And yet, umm, there’s nowt there. In many ways it’s like Georgia Satellites. But it’s missing that one thing that GS has. Which is, well, you know. Well, perhaps you don’t – but I think one expression of it would be that this is a group of good musicians playing. GS – often enough – is a band. The difference being that a band has that something more. It’s, umm, an organism.
Here’s Delbert again with Bonnie Raitt.
Excellent musicians and musicianship. And yet, well. Long thought this about Raitt too. She nails a couple of John Prine songs and she’s a very talented musician. But not, perhaps, a band leader – that thing is lacking. That whatever the heck it is.
The other way around. Jagger can’t sing, can’t really hold a note. On the other hand, that thing?
Apparently Rod Stewart’s first release
Not sure about some of the phrasing and that opening guitar line sounds a little stilted. Love the bass line tho’.
I also know that I wasn’t doing anything at all halfway that competent at the age of 18.
Musicians face an artificial intelligence nightmare from the rise of ChatGPT-like song generators, the world’s biggest record label has said.
Universal Music warned that AI-created music threatened “widespread and lasting harm” to artists and threatened a Napster-style crisis without robust copyright protections.
So-called generative AI models have already caused uproar among illustrators for using human-produced work without compensation to create art. The rise of ChatGPT, which produces authentic-seeming poems and essays, has caused concern from publishers about a tidal wave of AI-generated material.
Both Google and OpenAI, the company behind ChatGPT, have developed software that creates vocals and music in the style of certain artists and genres.
OK, so is this the songocalpyse? Let’s assume yes. We’ve now got an unlimited supply of mildly inventive but largely derivative songs and music. This will screw over all those who produce largely derivative and mildly inventive songs – just about all songwriters.
Is this bad for society?
Well, back to basics then. Songs are a public good. Very difficult to produce one of any quality. But once produced anyone can copy it, that copy does not diminish the amount of it available for any one else. It’s non-rivalrous and non-excludable – a public good. We tend to think that things like that will be underproduced. For if the profit ain’t there then the incentive to do the difficult bit ain’t.
So, we institute copyrights, to provide the excludability and thus produce a possible profit, the incentive and the production.
So, where are we with AI songs? We’ve got no constraint upon supply any more, do we? We’ve moved songs from a public good to a non-economic good. There’s no constraint upon supply (OK, a little bit, the cost of running the AI but Pfft) therefore there’s no need to the profit, nor the incentive, to generate supply, is there?
Abolish copyright.
We’re done.
Yet it also threatens to derail a blockbuster rights deal that would land the group a $500m (£413m) payday.
So, they’re looking to sell the rights. Hipgnosis and the like. It looks like a rich, rich, price:
By comparison, Bob Dylan’s songs are estimated to have sold for around $300m. Bruce Springsteen sold his back catalogue for a reported $550m in 2021, though this included both recorded and publishing rights.
The auction includes Pink Floyd’s recorded rights but not the publishing rights. This means that while the buyer would gain control of the recorded songs, they would not own the compositions themselves.
Ah, no, that’s a ludicrous price. It also explains this:
In a further sign of deteriorating relations, Waters this week told the Telegraph that he has re-recorded The Dark Side of the Moon from scratch, cutting his bandmates out in the process.
Those rights would only include the old version, not the new. As with Taylor Swift re-recording her albums.
Rights come in a number of flavours. And trying to sell the ones just running out, partially being replaced, for near half a billion does seem steep, no? Especially when the longer running ones on the songs themselves, the ones with 70 plus years still to go, aren’t included?
Roger Waters has re-recorded Dark Side of the Moon.
Why?
See headline?
You know, just like, walked in:
By his mid-teens he had dropped out of Dobbins High School in Philadelphia and teamed up with Gamble as the singing duo Kenny and Tommy.
Finding little success, he made his way to Harlem, where he got a gig in the house band at the Apollo Theatre, backing visiting singers such as Sam Cooke.
Yes, yes, I know, there were more showbands and backing groups around then. But still, that’s quite some gig to just “get”.
Maxi Jazz obituary
Frontman of Faithless whose thoughtful, life-affirming lyrics were in contrast to the usual hedonistic banalities of dance music
I’m so out of touch with parts of contemporary culture – here, popular beat combos – that someone can play long enough to mature enough into a Times obituary without my ever having heard of them.
Sure, so there’re many a Deputy Lord Lieutenant and WWII hero, potter or restauranteur that gain the august obit without my ever having known of their existence. But a pop musician? Shows how out of touch I am……
The sound was so distinctive and influential that in 1966 the Beatles booked a two-week session to record their next album at Stax’s studios, but at the last minute the session was cancelled. “We nearly recorded in Memphis with Jim Stewart,” George Harrison wrote to a friend at the time. “We would all like it a lot, but too many people get insane with money ideas at the mention of the word Beatles and so it fell through.”
In 2018, a YouTube video of Big Bang members Taeyang and Daesung performing their megahits “Bang Bang Bang”
Lemme guess, it contained the line “My Bang Bang Bang, it’s Big”?
Full Job Description
I am a hip hop/pop rock artist based out of Southwest Florida with a loyal and rapidly growing fanbase. I would like to hire a blog writer with focus on the hip hop/pop rock music scene. The music that will be written about will be similar to the music I produce, so as to be a means of garnering more attention towards the genre and my page. For this specific job I need someone who is as passionate about the craft as I am. Here are my criteria:1) Have you reviewed my music? If no, see below.
2) Is this a genre of music you are familiar with?
3) Is this genre of music something you can see yourself being passionate about?
Job Type: Contract
Pay: From $75,000.00 per year
Schedule:
4 hour shift
Supplemental pay types:Bonus pay
COVID-19 considerations:
Due to the fact that the job is entirely remote there is no need for any COVID-19 precautions.Work Location: Remote
Actually, given the market for writers at the moment, that’s a damn good job offer. Given the age of the readership here if there are any grandkids into this sort of popular beat combo then I’d recommend trying to apply. That’s £60k a year, which is more than the London newspapers pay for anything but their top stars.
Really, that’s an exceptionally good offer in fact.
This is what I mean in the comments about Florence and the Machine. It’s a delightful little song and clearly appropriate for today. Sure, there’s an atmosphere to it. A design, a soundscape. But there’s also a structure, a beginning, middle, end.