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Music

Burka Blue

Burka Blue, Afghanistan\’s first all girl band.

Via.

My brother\’s been working out there for a few years now, head cheffing for the forces. Not heard any stories from him about dating the local girls, perhaps this helps to explain why?

McFly: The Heart Never Lies

OK, OK, I can now announce that I am officialy an old fogey. No going back from here, next stop the grave, eh?

Wife was flicking through the channels a few minutes ago and stopped to watch a vedo by a band called McFly.  Apparently the young beat combo has had a hit in the teenyboppers parade with a song called "The Heart Never Lies".

While said wifie was tapping her toes along the music made no impact upon me whatsoever. All I could think about was, hey, that was shot in Bath, wasn\’t it? Now which crescent, hmm, no, not the Royal, Lansdown, Camden? None of those look quite right. Portland Place maybe?

Which just goes to show, I\’m more interestewd in 200 year old architecture than I am the chart toppers of today.

Somebody warm up the undertakers would they?

(And expect sanbikinorian to be along in a moment to tell us which one it was.)

 

Status Quo

This comes up in a piece on Status Quo:

They became friends, but Parfitt didn\’t join the band until they recorded Pictures Of Matchstick Men. It hit the charts in the UK and US, and it\’s still their only American hit.

Wikipedia says the same thing. But I\’m really not sure about this at all. I thought they had a number one in the US in the 90s. It may be that my memory is entirely faulty….but I definitely recall hearing something on US radio and thinking, "What in hell are they playing Quo for?" and then hearing the announcer state that this was a hit. Anybody actually know?

And no:

I didn\’t know this was a John Fogarty song.

Sunday Competition

OK, so we\’ve had a near winner to yesterday\’s music competition. Now to take it a stage further. Now, it\’s obvious what the connection between these two videos is: it\’s the same song (I\’d never heard the first version before and thought it rather good).

 

And

Right. What is the connection between the second of Saturday\’s songs and this one? The usual geek points for the right answer.

Saturday Competition

So while I toil through these sexblogs a little competition for a Saturday morning.

There\’s this, from the days when children\’s TV shows really were decent TV shows. Yes, Stevie Wonder on Sesame Street.

 

Compare that to Tiswas: bite me Tarrant.

Then there\’s this.

 

OK, so, what\’s the connection between the two?

Other than the similarity in dancing styles between Joe Walsh on the table in the second and the little kid in the first? Music geek points for the first correct answer.

BTW, Wikipedia doesn\’t show the answer, just in case you were going to try and look it up.

Hymns and Whatnots

Damian Thompson * is very good today on the appalling quality of much new Catholic religious music.

Last month, Pope Benedict XVI gave Catholics everywhere the right to ask their priests to celebrate the traditional Latin Mass, in effect suppressed 40 years ago.

Liberal bishops were aghast. The "director of liturgy" for the diocese of Portsmouth, Paul Inwood, prepared a set of guidelines for parishes (since withdrawn following a storm of protest) that totally misrepresented the Pope\’s wishes by suggesting that most Catholics were not entitled to request the older form of Mass.

Also, Inwood insisted that priests coming into the diocese to say the old form of Mass would need child protection clearance. Eh? What a weird thing to say.

Anyway, I Googled Paul Inwood and discovered that he is not only a layman, but also a successful composer of trendy Masses.

I listened to the extracts on his website and, as Victor Lewis-Smith would say, sent for my Turkish slippers: this is music to make your toes curl. (One of the numbers is called Alleluia Ch-Ch, the "Ch-Ch" being a sort of noise you make with your mouth or a tambourine.)

The music of Inwood and other "contemporary" Catholic composers sounds like nothing else on earth.

This isn\’t a new thing though. Most of the decent hymns (with some exceptions for pre-Reformation stuff) in English come from the Anglican or Protestant churches: most especially the Methodist one. There certainly was (being very out of touch with Church matters I don\’t know whether there still is) a reluctance on the part of the Catholic church to use these hymns, and so we were all left with whatever scrag ends had been stitched together by the adherents of what is, after all, a minority religion over the past century and a bit since Catholic Emancipation. So not many people over not much time writing songs gave us not many good ones.

As I say, a something of a long standing problem.

* Looking at Thompson\’s photo I have a vague suspicion that I know where he went to school and who with. Me, Briffa and Jonathan Petre…and the drummer from Echo and the Bunnymen.

 

The Death of Recorded Music

Interesting piece about the economics of CDs and touring: there\’s a lot more to be said on the subject, of course.

But I will admit to a certain surprise at the surprise that\’s being shown here. OK, technology changes so the way a specific product (in this case, listening to music) is delivered also changes, changing the necessary business model.

Has no one read Schumpter? This is how it\’s supposed to work, isn\’t it?

Monday morning

So it\’s Monday morning, yes, there\’s a definite whiff of a hangover in the air (that third bottle of port after the barbie last night went down all too well) and I\’ve got some horrible, ghastly, work I need to do this arvo. I need cheering up.

Yes, that\’s better.

Much, much, better.

Lembit Opik

It appears that Lembit Opik has more than just one connection with the music business:

Lembit did the instrumental on Culture Club’s Karma Chameleon…

So, err, did he date Boy George as well?